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'Tragédiennes', vol. II

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Véronique Gens/Les Talens Lyriques/Christophe Rousset

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'Tragédiennes', vol. II

Download 'Tragédiennes', vol. II by Véronique Gens/Les Talens Lyriques/Christophe Rousset
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'Tragédiennes', vol. II

Véronique Gens/Les Talens Lyriques/Christophe Rousset EMI
Released: Jun 30, 2009
1

Alceste - Acte III, Scene 3 - Air d'Aleceste: Grands dieux soutenez mon courage...Ah! Divinite´s imp

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 6:38     Size: 9MB
2

Dardanus - Act IV, Scene 6 - Air d'Iphise: Il me fuit....Rien ne peut e´mouvoir

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 3:49     Size: 5MB
3

Dardanus - Acte 1, Scene 1 - Air d'Iphise: Cesse cruel amour de re´gner sur mon a^me

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 3:04     Size: 4MB
4

Didon - Acte III, Sce´ne 1 - Air de Didon: Non, ce n'est plus pour moi

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 4:27     Size: 6MB
5

Orphe´e et Eurydice: Ballet des ombres heureuses

  by  Les Talens Lyriques/Christophe Rousset
Time: 5:10     Size: 7MB
6

Orphe´e et Eurydice: Air de Furies

  by  Les Talens Lyriques/Christophe Rousset
Time: 4:02     Size: 6MB
7

Oedipe a` Colone - Acte III, Sce`ne 1 - Air d'Antigone: Dieux, ce n'est pas pour moi que ma voix vou

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 2:20     Size: 3MB
8

Andromaque - Acte I, Sce`ne 1 - Air d'Hermione: C'est le seul espoir qui me reste....Si fide`le au n

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 2:34     Size: 4MB
9

Les Palatins - Acte II, Sce`ne 10: Entre´e tre`s gaye de Troubadours

  by  Les Talens Lyriques/Christophe Rousset
Time: 2:25     Size: 3MB
10

Les Palatins - Acte I, Sce`ne 1 - Air d'Argie: Triste se´jour

  by  Les Talens Lyriques/Christophe Rousset
Time: 2:28     Size: 3MB
11

Les Palatins - Acte II, Sce`ne 2: Sarabande

  by  Les Talens Lyriques/Christophe Rousset
Time: 3:03     Size: 4MB
12

Renaud - Acte II, Sce`ne 1 - Air d'Armide: He´las vous le dirais-je....Ah! Que dis-tu?

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 3:33     Size: 5MB
13

Les Paladins - Acte II, Sce`ne 10: Menuets I & II

  by  Les Talens Lyriques/Christophe Rousset
Time: 4:33     Size: 6MB
14

Me´de´e - Acte II, Sce`ne 4 - Air de Ne´ris: Ah! Nos Peines seront communes

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 8:24     Size: 12MB
15

Herminie - Re´cit & Air d'Herminie: Mais sur cette are`ne guerrie`re....Il n'est plus....Dieux cruel

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 3:48     Size: 5MB
16

Les Troyens - Acte I - Re´citatif & Air de Cassandre: Les Grecs ont disparu - Malheureux Roi

  by  Ve´ronique Gens/Les Talens Lyriques/Christophe Rousset
Time: 7:00     Size: 10MB

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Beyoncé is the epitome of a woman. She’s our generation’s Aretha, demanding respect, fiercely proud of her womanhood, her feminine independence and her body. You could even say she’s reinstalled a long forgotten perception of beauty in the media. After too many decades of flat chests, chicken legs and protruding bones on MTV, Beyonce reminds us that that women are meant to be rounded, wide hipped and fleshy. She has become a sex symbol, wrapping herself proclaimed ‘bootylicious’ body in sheer and torn skin-tight outfits and her performances are high energy provocative, although she manages to keep it tasteful. Originally known as the front woman of popular 90s group Destiny’s Child, Beyonce recently stepped out on her own as a solo artist, and she is now one of the most recognizable, well known and well paid artist in the R&B scene. Her debut album, Dangerously in Love (2003), sold over 317, 000 copies in its first week, and included the huge hit Crazy in Love, which spent eight weeks comfortably settled at #1 on the Billboard Hot 100. Beyonce’s second album, B’day, was released in 2006 and was inspired by her starring role in Dreamgirls. And then in 2008, she released I am… Sasha Fierce. Sasha is apparently Beyonce’s alter ego, the persona she takes out onto the stage. If I Were A Boy puts her in her boyfriends shoes. She’s Policeman Beyonce, going for beers with the guys, putting the baddies behind bars and declaring how she’d treat her significant other if she were of male persuasion. It’s a thought inducing gender-switch track, and a surprisingly original concept for the diva. We’ve seen her in camouflaged army gear belting out, Survivor, we’ve seen her rooting for the Independent Women’, single mothers, career girls, and ultimately, other pop stars. Boyence is a power woman and, hell yes, her boyfriend should know he’s replaceable. And if he didn’t want to lose it, then he probably should a put a ring on it. Mhm! She has sass and attitude and a feminist fury that makes the music work. The ultimate pop feminist, sending a message to teenage girls around the world that not only is it okay to embrace their femininity, but that they should be damn proud of it too.

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