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Puccini: Vissi d'arte - The Love Songs

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Maria Callas

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Album

Puccini: Vissi d'arte - The Love Songs

Download Puccini: Vissi d'arte - The Love Songs by Maria Callas
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Puccini: Vissi d'arte - The Love Songs

Maria Callas EMI
Released: Oct 28, 2008
Number of Disks: 2

Disk 1

1

Manon Lescaut (1997 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIE`ME ACTE: In quelle trin

  by  Maria Callas/Orchestra del Teatro alla Scala, Milano/Tullio Serafin
Time: 2:21     Size: 3MB
2

Manon Lescaut (1997 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIE`ME ACTE: Oh, saro` la p

  by  Maria Callas/Giuseppe di Stefano/Orchestra del Teatro alla Scala, Milano/Tullio Serafin
Time: 8:22     Size: 11MB
3

Manon Lescaut (1997 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIE`ME ACTE: Sola, perduta,

  by  Giuseppe di Stefano/Maria Callas/Orchestra del Teatro alla Scala, Milano/Tullio Serafin
Time: 5:07     Size: 7MB
4

Si`. mi chiamano Mimi` (Mimi`/Rodolfo) (1997 Digital Remaster)

  by  Maria Callas/Giuseppe di Stefano/Orchestra del Teatro alla Scala, Milano/Antonino Votto
Time: 4:56     Size: 6MB
5

O soave fanciulla (Schaunard/Colline/Marcello/Rodolfo/Mimi`) (1997 Digital Remaster)

  by  Manuel Spatafora/Nicola Zaccaria/Rolando Panerai/Giuseppe di Stefano/Maria Callas/Orchestra del Teatro alla Scala, Milano/Antonino Votto
Time: 4:50     Size: 6MB
6

Donde lieta usci` al tuo grido d'amore (Mimi`) (1997 Digital Remaster)

  by  Maria Callas/Orchestra del Teatro alla Scala, Milano/Antonino Votto
Time: 3:21     Size: 4MB
7

Dunque e` proprio finita? (Rodolfo/Mimi`/Marcello/Musetta) (1997 Digital Remaster)

  by  Giuseppe di Stefano/Maria Callas/Rolando Panerai/Anna Moffo/Orchestra del Teatro alla Scala, Milano/Antonino Votto
Time: 5:50     Size: 8MB
8

La Bohe`me (1997 Digital Remaster), ATTO QUARTO/ACT 4/VIERTER AKT/QUATRIEME ACTE: Sono andati? ... O

  by  Maria Callas/Giuseppe di Stefano/Rolando Panerai/Manuel Spatafora/Nicola Zaccaria/Anna Moffo/Carlo Badioli/Franco Ricciardi/Eraldo Coda/Carlo Forti/Antonino Votto/Coro e Orchestra del Teatro alla Scala, Milano
Time: 9:59     Size: 13MB
9

Tosca Act I: Mario! Mario! Mario!...Son qui...Mia gelosa!

  by  Maria Callas/Giuseppe di Stefano/Orchestra del Teatro alla Scala, Milano/Victor de Sabata
Time: 12:13     Size: 15MB
10

Tosca Act I: Mario! Mario!...Ed io venivo a lui tutta dogliosa

  by  Maria Callas/Tito Gobbi/Orchestra del Teatro alla Scala, Milano/Victor de Sabata
Time: 6:19     Size: 8MB
11

Tosca (2002 Digital Remaster), ACT TWO: Vissi d'arte (Tosca)

  by  Maria Callas/Orchestra del Teatro alla Scala, Milano/Victor de Sabata
Time: 3:16     Size: 4MB
12

Tosca (2002 Digital Remaster), Act III: Senti, l'ora e` vicina...Amaro sol per te (Tosca/ Cavaradoss

  by  Victor de Sabata/Coro e Orchestra del Teatro alla Scala, Milano/Maria Callas/Giuseppe di Stefano/Tito Gobbi/Angelo Mercuriali/Melchiorre Luise/Dario Caselli/Alvaro Cordova
Time: 3:26     Size: 4MB
13

Suor Angelica, 'Sister Angelica' (1997 Digital Remaster): Senza mamma, O bimbo

  by  Maria Callas/Philharmonia Orchestra/Tullio Serafin
Time: 5:37     Size: 7MB

Disk 2

1

Madama Butterfly, Act 1: Ah! Ah! quanto cielo!...Ancora un passo or via

  by  Maria Callas/Lucia Danieli/Nicolai Gedda/Luisa Villa/Mario Borriello/Renato Ercolani/Mario Carlin/Plinio Clabassi/Enrico Campi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 3:01     Size: 4MB
2

Vieni la sera...Vegliatemi bene, un bene piccolino (Act 1 Madama Butterfly) (Pinkerton/Butterfly/Suz

  by  Maria Callas/Lucia Danieli/Nicolai Gedda/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 14:19     Size: 18MB
3

Madama Butterfly, Act 2, First Part: Un bel di vedremo

  by  Maria Callas/Lucia Danieli/Nicolai Gedda/Luisa Villa/Mario Borriello/Renato Ercolani/Mario Carlin/Plinio Clabassi/Enrico Campi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 4:43     Size: 6MB
4

Madama Butterfly Act II: E questo? e questo?...Che tua madre dovra

  by  Maria Callas/Mario Borriello/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 5:58     Size: 7MB
5

Madama Butterfly (2008 Digital Remaster): Una nave da guerra....Scuoti quella fronda di ciliegio (Su

  by  Maria Callas/Lucia Danieli/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 7:45     Size: 10MB
6

Madama Butterfly, Act 2, Second Part: Con onor muore

  by  Maria Callas/Lucia Danieli/Nicolai Gedda/Luisa Villa/Mario Borriello/Renato Ercolani/Mario Carlin/Plinio Clabassi/Enrico Campi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Herbert von Karajan
Time: 5:22     Size: 7MB
7

Gianni Schicchi (1997 Digital Remaster): O mio babbino caro

  by  Maria Callas/Philharmonia Orchestra/Tullio Serafin
Time: 2:36     Size: 3MB
8

Turandot (1997 Digital Remaster): Signore, ascolta!

  by  Maria Callas/Philharmonia Orchestra/Tullio Serafin
Time: 2:32     Size: 3MB
9

Turandot (2008 Digital Remaster), Act II - Scene II: In questa Reggia

  by  Maria Callas/Eugenio Fernandi/Elisabeth Schwarzkopf/Giuseppe Nessi/Nicola Zaccaria/Mario Borriello/Renato Ercolani/Piero de Palma/Giulio Mauri/Elisabetta Fusco/Pinuccia Perotti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Tul
Time: 6:21     Size: 8MB
10

Turandot Act II: Straniero, ascolta!...Figlio del cielo (Turandot/Calaf/Chorus/Liu`/Emperor) (2008 D

  by  Tullio Serafin/Coro e Orchestra del Teatro alla Scala, Milano/Maria Callas/Eugenio Fernandi/Elisabeth Schwarzkopf/Giuseppe Nessi
Time: 11:06     Size: 14MB
11

Turandot (1997 Digital Remaster): Tu, che di gel sei cinta

  by  Maria Callas/Philharmonia Orchestra/Tullio Serafin
Time: 2:48     Size: 4MB
12

Turandot Act III: Del primo pianto...Diecimilia annial nostro Imperatore!

  by  Tullio Serafin/Coro e Orchestra del Teatro alla Scala, Milano/Maria Callas/Eugenio Fernandi
Time: 8:37     Size: 10MB

-= Featured Artist | kazaa.com =-

A Teen Love Story

Taylor Swift is bringing pop back into country music. Discovered in a café, performing songs on her acoustic guitar, Taylor was signed onto Big Machine Records and released her debut album, self titled, at sixteen. She’s a pretty little slip of a thing, performing folksy songs with country blue lyrics and nostalgic acoustics. A few of her tracks delve more into a pop-rock sound, and the petite blond performs with a sweet, southern voice made for the genre.

Her debut single, Jim McGraw is a perfect example of how Taylor incorporates her own experiences of teen love and heartbreak into her sentimental songwriting. The song peaked at no.1 at Billboard Top Country Albums and no.5 at Billboard 200, and the album has since sold over three million copies.

Tear drops on my Guitar tells a high-school story we all know way too well - falling in love with the ‘best friend’ and being his shoulder to cry on as he pines for someone that’s not you. Her honest portrayal of un-reciprocated love, her emotional frailty, naivety and vulnerability speaks to teens worldwide. Just look at the comments for her video clips on YouTube, where viewers identify with Taylor’s heartbreak, creating a sort of Unrequited Anonymous support group, as fans share their own stories of pining and loneliness.

In 2008, Taylor released her second album, Fearless. Its lead song - the cherry on the top of the charts Love Story touches on every single girlish fantasy of romance. From the golden locked princess in the castle, Romeo & Juliet references in the lyrics, secret liaisons in the forest at night with a tall, dark handsome hero right out of Austen. Change from the AT&T TEAM USA Soundtrack, is an inspiring pop-rock anthem. Critics have agreed Taylor is beyond her years, musically, and that her musical maturing and gentle handling of her music has enhanced the album, making it one of the best mainstream pop albums of the year. While failing to sound original, Taylor makes up for it with her fearlessly truthful and intimate confessions, a lack of lyrical inhibition and a flowery approach to the country pop formula. As far as teen pop goes, Taylor is truly refreshing.

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